I guess this has been out for a little bit now, but I just came across it.  It’s great to see some stuff coming out in resin vs. vinyl.  It’s is up there in price but considering that resin is much more of a hands on process as compared to vinyl, I would say it’s well worth the price.  They are available at www.dragatomi.com Big ups to Bigfoot. Check his site out as well.  It has been a while since I was on there, but it looks like he has been up to a lot in the last few months.

THIS ARTICLE ORIGINALLY RAN IN THE ART OF STORYTELLING MAGAZINE ISSUE #1

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So where did your interest in Bigfoot come from and why did you decide to startpainting Bigfoot characters?

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It’s been about 14 years now since I decided to start writing Bigfoot. I realized the symbolism of Bigfoot was the culmination of all things I was into portraying, nature, magic and an opposition to the modern human world.

“If I stayed in Jersey I would definitely be making art but wouldn’t have started writing Bigfoot and would’ve ended up doing hard time for like 2 grams of weed.”

Graffiti artists have the luxury of hiding behind their artwork. I have met tons of graffiti artists and there are a lot of dorks, social idiots and loners in the graffiti game myself included. But they have a unique talent, graffiti is illegal, above the law, the act of graffiti has street credibility, so for a lot of people it serves as an alter ego. Is this the case for you as well?

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We are sponsoring a show at Flatcolor Gallery in Seattle. If you are in town stop by to check it out. They will be giving out free copies of The Art of Storytelling Magazine to the first 50 attendees. The posse hooked up a nice show, Chip, Bigfoot and El Kamino. Check back next week for photos.